1944年，一队德国士兵在俄国前线受尽惊恐与恶劣环境的折磨。大兵厄斯特·盖博经过漫长等待，终于盼到了假期。回到德国，他发现自己的家园被炸毁，他孤独地找寻着自己的双亲，途中邂逅了迷人的伊丽莎白·克鲁斯，一个政治犯的女儿。他们两人在充满仇恨的世俗中求生，努力使灵魂重新归正！ 　　In 1944, a company of German soldiers on the Russian front are numbed by the horrors and hardships of war when Private Ernst Graeber's long awaited furlough comes through. Back home in Germany, he finds his home bombed. While hopelessly searchi...

面對疫情封鎖來襲，Tom打算好好在家工作，誰知許久不見的Kendrick跑了回來。一直暗戀著Kendrick的Tom，心中春水蕩漾，豈料Kendrick是為了一個女孩回來的？與此同時，Kendrick染上了新冠肺炎。一波未平一波又起，兩人最後會如何呢？

　　1990年11月13日，一场灾难突然降临在新西兰边陲的海边小镇阿拉蒙那上。离群索居、沉默不语的男子大卫•盖瑞（Matthew Sunderland 饰）被镇上的人称为“独居怪人”，某天他和邻居发生口角，受到刺激的盖瑞开枪射杀了邻居。随即他穿戴一齐，手持半自动步枪，在这座他祖辈世世代代生活的小镇上，向爱好和平、手无寸铁的人们展开了血腥大屠杀。　　得知消息后，应急部队随即赶赴现场，对狂人盖瑞展开围捕行动。24小时之后，13条无辜之人命丧黄泉……　　本片根据真实事件改编。

芳齡十八的妮莉，原本長年與養母同住瑞典鄉間，平靜的生活就從某天生母忽然來訪開始變奏。她隨著生母來到斯德哥爾摩一探究竟，大城市為她帶來從未經歷過的體驗，也啟迪了她的愛情視野。但偏偏她的愛慕對象卻是生母的情人，母女關係猶如緊繃之弦，悲劇是否註定發生？影片當時雖然票房不佳，卻是柏格曼初執導演筒的處女作。

A chamber orchestra is working out of a rundown theatre in Reykjavik. Financial hardship places a great strain on the band and the lead violinist, Sigrun. The annual grant from the city is coming to an end so the band hires a world renowned cellist in order to save the band. The media goes wild and money starts to flow to the band again. Too bad the cellist is not a very nice p...

Two married couples become increasingly agitated with each other as they find out things about each other's past, while one of them is reviving disturbing packages from an unknown source

A chamber orchestra is working out of a rundown theatre in Reykjavik. Financial hardship places a great strain on the band and the lead violinist, Sigrun. The annual grant from the city is coming to an end so the band hires a world renowned cellist in order to save the band. The media goes wild and money starts to flow to the band again. Too bad the cellist is not a very nice p...

埃利奥特（杰瑞米·阿伦·怀特 Jeremy Allen White 饰）是一位年轻而又富有活力的纽约客，在人生的头23年里，埃利奥特没有遇到过什么大的挫折，一直都过着开心快乐的自由生活。一次偶然中，他邂逅了名为米亚（麦卡·梦露 Maika Monroe 饰）的女子，两人之间碰撞出了激情的火花。 　　某日，埃利奥特被医生诊断出患上了恶性肿瘤，命不久矣，这将埃利奥特一下子从天堂打入了地狱之中。幸运的是，在痛苦的治疗过程之中，善良温柔的米亚一直坚定的陪伴和安慰着他，带给了他和病魔抗争的信心及力量。渐渐的，埃利奥特学会了如何和自己的病情共存，可与此同时，他和米亚之间的感情却出现了偏差。

米盖尔（Algenis Perez Soto 饰）从小就希望成为一名棒球投手，十六岁那年，他正式走上了职业的道路，并用天赋和努力证明了自己的实力。三年过去，十九岁的米盖尔被球探相中，跟随很多和他一样初出茅庐的运动员一起前往亚利桑那州参加集训，一个新的世界就此在他眼前展开。 　　在训练营里，米盖尔开始明白自己并不是唯一一个拥有运动天赋的选手，因此他开始了加倍的努力。功夫不负有心人，最终，他获得了爱荷华州布里奇顿棒球队的合同书。在棒球队里，巨大的压力和复杂的人际关系让米盖尔逐渐迷失了方向，好在有名为乔治（Rayniel Rufino 饰）的球员一直陪伴和鼓励着米盖尔，使得米盖尔逐渐找到了自己的坐标。

　　In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.　　The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).　　Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.　　As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.　　Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.　　The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.　　Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.　　The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.　　The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.

　　影片讲述了在休斯顿的郊区，一个十几岁的女孩因母亲的监禁变得堕落，一个年迈的斗牛士努力在斗牛竞技场上站稳脚跟，这2个人形成了一种不太可能的关系纽带，并试图纠正各自的道路。

弗兰克（罗伯特·卡莱尔 Robert Carlyle 饰）是面包店里的烤面包师父，多年以前，他的妻子不幸永远的离开了他，弗兰克一直生活在妻子逝世的阴影里走不出去。一次偶然中，弗兰克遭遇了一场车祸，对方是一个名叫史蒂夫（约翰·古德曼 John Goodman 饰）的男人。 　　史蒂夫告诉弗兰克，自己正准备去兑现一个40年前许下的约定，去见自己阔别已久的青梅竹马，可现如今这个状况令史蒂夫无法如约而至，于是他拜托弗兰克代替自己去见青梅竹马，向她解释事件的来龙去脉。抵达了目的地后，弗兰克并没有找到那个女孩，然而，他却被舞蹈这项奇妙的运动深深吸引。

　　一部曾被德国纳粹禁映的表现主义电影代表作！　　本片是1922年《马布斯博士》上下集后的续集，有着浓厚的表现主义色彩。影片对纳粹和希特勒的影射非常明显，因此刚上映便遭禁。　　本片讲述地下犯罪集团头目马布斯被抓到疯人院，但在那里依然口出狂言，发号施令，直到他死后，这些指令在外面仍有人执行，让警察百思不得其解……

战争阴影还没消散的欧洲，翻译家、知识分子Ester（英格里德•图林）与妹妹Anna（冈内尔•林德布洛姆）以及Anna的儿子Johan一起坐火车回瑞典。途中，患有晚期肺病的Ester发病，三人于一个言语不通的小城下车，住进一家老宾馆。　　Ester有意无意间总想偷窥Anna的生活，想对她表示好感却无从下手，而Anna一心认为Ester是她的束缚。某晚，Anna外出结识一名酒保，返回宾馆后将幻想中的性爱的过程和刺激描述给Ester听，引起对方的激烈反应，随后，她与酒保在Ester眼皮底下做爱，终引起Ester爆发，多年来深藏在两人心中的、夹杂着嫉恨与冲突的往事被重提。

一场大规模枪击案后，七位民兵藏匿于一个木材仓库中，与此同时，一行人有了一个不安的发现：他们的军械库丢失了一支AR-15步枪，而这把武器的型号正与传闻中枪击案肇事者所用完全一致。担心当局已将他们与枪击案联系在一起，为了自身的安全，民兵们决定找出队伍中的叛变者交给警方。 　　前任警察Gannon作为防止警方卧底渗透的安全调查员被派遣进入案件调查组。然而，一系列附近民兵传来的神秘信息使紧张的局势加剧，一场更大的阴谋逐渐浮出水面......

讲述上世纪中期，一个被家庭疏远的女同性恋者通过错误地接受一个基督教家庭的信仰来争取一个归宿，但她发现自己迷恋着这个家庭的女儿…… 该片改编自错爱：艾莉丝?米歇尔奇案。

　　詹姆斯（柯林·法瑞尔 Colin Farrell 饰）以优等生的身份顺利通过中情局的初期审查，和其它精英学子一起进入训练基地接受特种训练。中情局派出了最有经验的王牌特工沃特（阿尔·帕西诺 Al Pacino 饰）来训练这群年轻人。在近乎冷血的各式各样的残酷训练当中，表现最佳的詹姆斯却莫名被淘汰出局。在新人中，女学员莱拉（布丽姬·穆娜 Bridget Moynahan 饰）引起了上层的怀疑。被怀疑是个敌对情报组织派来的卧底。于是，在训练中和莱拉关系甚好的詹姆斯被悄悄安排了反卧底工作。詹姆斯开始刻意接近莱拉，打探情况。但随着两个人的相处，他竟对不知道敌友的莱拉情愫。在国家的荣誉与个人的情感面前，詹姆斯那苦恼的心，又要如何去抉择呢？

一个美国家庭继承了挪威山区一座偏僻的小木屋，实现了他们落叶归根的梦想，但却没想到有一个惊喜也在等着他们。

劳拉（安娜·布莱斯特 Anna Brewster 饰）与尼克（O.T. Fagbenle 饰）、克里斯（维尔·梅勒 Will Mellor 饰）、梅尔（艾玛·凯瑟伍德 Emma Catherwood 饰）、乔（Daniel Caltagirone 饰）、海伦（Scarlett Alice Johnson 饰）等男女好友相约，前往一个野生公园的芦苇湿地度假。抵达目的地后，他们发现之前预定的游艇被人搞坏，无法使用。阴差阳错之下，他们租了一艘名为“海盗之星”的游艇。在启程前，他们和几名阴郁怪异的年轻人发生龃龉。不过，这份不快很快为大自然的美丽风光所冲淡。 　　然而厄运似乎如影随形，他们的一举一动仿佛受到那群年轻人的监视，夜晚克里斯更因一场事故被刺穿腹腔。死神慢慢降临，劳拉发现，一切都与20年前的恐怖过去有关……