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跨国银行
149规模庞大几乎盘踞全球的跨国银行IBBC在这个钱权主宰的社会里简直无所不能,它不仅操控着各国经济,牵制着政府的决策,甚至参与洗钱、贩卖军火、勒索绑架等各种黑道行动,它就像一只大章鱼将触角伸向黑夜的每个角落。国际刑警路易斯·塞林格(克里夫·欧文 Clive Owen 饰)目睹同事因企图泄露银行机密而遭遇暗杀,他决意受命前往柏林彻查IBBC洗钱内幕,得益于另一位正义者副检察官埃莉诺·惠特曼(娜奥米·沃茨 Naomi Watts 饰)的同行协助,两人很快发现了跨国银行更多鲜为人知的非法活动,甚至包括资助恐怖分子和发动战争。两人决心揭露跨国银行的真实面目,然而,无所不知的IBBC早已注意到这两只蝼蚁,杀手随即派到,路易斯和埃莉诺最终能否赢得这场螳臂当车的生死周璇? -
疯狂店员2
951距上一集约十年后,一场大火将但丁(布莱恩·奥哈罗兰 Brian O'Halloran 饰)所在的便利店付之一炬,他本人也被老板扫地出门。在此之后,他和好哥们兰度(杰弗·安德森 Jeff Anderson 饰)到一家名为“Mooby’s”的快餐店打工,这里有一个狂迷魔戒、还带着点儿gay倾向的店员埃里亚斯(Trevor Fehrman 饰),以及和但丁始终大玩暧昧、纠缠不清的女主管贝姬,当然还少不了毒品贩子二人组杰(Jason Mewes 饰)和沉默鲍勃(Kevin Smith 饰)。这群人凑在一起,每天插科打诨,互相攻讦,过着无忧无虑混吃等死的逍遥日子。 年过三十,即使再怎样玩乐的人也希望安定下来。但丁认识了一个富家女,未来岳父许诺只要和其女儿来佛罗里达结婚,便会赠送一个洗车店。这对始终辛苦打拼的但丁来说无疑天上掉馅饼,不过,这也意味着他要离开一众好友,结束这样简单快乐的生活…… 本片荣获2006年艾丁堡国际电影节观众奖、2007年MTV电影奖最猛粗口时刻。 -
心慌慌
649Not long after John Chambers and his family arrive at their new home in a small country town of Pennsylvania, John begins to experience sleep paralysis. Lying there paralyzed, trapped within his own nightmare, other-worldly beings visit John. They are entities which exist in the darkest shadows of the night and can only be seen out of the corner of one's eye. These encounters b... -
劫匪
967故事发生于1934年的美国得克萨斯州,臭名昭著穷凶极恶的抢劫犯邦妮和克莱德越狱成功,重新开启了他们的杀戮之旅。在典狱长李(约翰·卡洛·林奇 John Carroll Lynch 饰)的建议之下,州长马福格斯(凯西·贝茨 Kathy Bates 饰)找到了已经退隐江湖的德州骑警弗兰克(凯文·科斯特纳 Kevin Costner 饰)和曼尼(伍迪·哈里森 Woody Harrelson 饰),委托他们讲暴徒捉拿归案。 弗兰克和曼尼已经十几年没有见过面了,让弗兰克感到震惊的时,曾经意气风发的搭档,如今沦落成为了一贫如洗的酒鬼。弗兰克逐渐打消了和曼尼合作的念头,但是,对于曼尼来说,这个案子是他想要摆脱生活这个烂摊子的最后一次机会了。 -
小迪克西
149Erstwhile Special Forces operative Doc Alexander is asked to broker a truce with the Mexican drug cartel in secrecy. When Oklahoma Governor Richard Jeffs celebrates the execution of a high-ranking cartel member on TV, his Chief of Staff and Doc inform him about the peace he just ended. But it’s too late, as Cuco, the cartel’s hatchet man, has set his vengeful sights on Doc’s daughter Dixie. They don’t make ’em like Little Dixie anymore: honed to the bone, all gestures and actions, only a few words. Too many genre films these days try to create meaning by piling ideas and intentions on their narrative frames. John Swab, as always, works the other way around. Meaning and depth come from taking away whatever is superfluous – by reducing the plot to its bare essence and the characters to their core trades and tricks. Ultimately, Little Dixie feels like the pulp fiction version of a Giacometti sculpture, all fearful symmetries and mirror images. A gem of crime cinema at its purest and most philosophical, proudly featuring noir’s new darling, Frank Grillo.