Get Smart, Again! is a made-for-TV movie based on the 1965-1970 NBC/CBS television series, Get Smart!, which originally aired February 26, 1989 on ABC (ironically, the network that rejected the original pilot for the Get Smart! TV series). It has subsequently been released twice on DVD by different publishers. In the video release of the movie, the background canned laughter (pre-recorded laughter added later to the soundtrack), is absent.　　Overview　　Differences between Get Smart, Again! and The Nude Bomb　　The film is not as well known as the earlier theatrical release, The Nude Bomb, also based on Get Smart, but was better received by fans of the original program. Unlike The Nude Bomb, which featured only the characters of Smart, The Chief (with Dana Elcar replacing the deceased Edward Platt), Agent 13 (Dave Ketchum in the series, portrayed by Joey Forman in The Nude Bomb, who had played the character Harry Hoo in the series) and Larrabee, Get Smart, Again! featured all of the surviving original cast reprising their roles. The tone and feel of Get Smart, Again! were also closer to that of the original series. Get Smart, Again! was written and produced by Leonard Stern, who was a producer of the original series. One element of the Nude Bomb ignored completely was the renaming of CONTROL as PITS in the earlier film; although as CONTROL is said to have disbanded in the 1970s, it's not impossible for both CONTROL and PITS to exist within the continuity of the franchise.　　Barbara Feldon's character, 99, makes a reference to T.H.R.U.S.H., the evil organization in The Man From U.N.C.L.E., a show on which Feldon guest-starred.　　Theme music　　Get Smart, Again! also reprises the TV program's original theme music and opening credit sequence, which were absent from The Nude Bomb. In this case, however, the corridors were covered in cobwebs and the phone-booth elevator that led to CONTROL headquarters worked in reverse, causing Smart to be thrown to the top of the booth.　　Synopsis　　Maxwell Smart, acting as a protocol officer since CONTROL was disbanded in the early 1970s, is reactivated as a counterintelligence agent by Commander Drury (Kenneth Mars) of the United States Intelligence Agency. KAOS, long considered defunct, has been revitalized by a corporate takeover. Its first scheme involves turning a forgotten American scientist and using his weather control machine to extort $250 billion US dollars from the United States Government. Drury, convinced that only Smart has the expertise to combat KAOS, gives him carte blanche to reactivate former CONTROL agents to assist him in his task. Along with Drury's bumbling aide, Beamish (Steve Levitt), Smart recruits Larrabee (who, believing that he was under orders from Richard Nixon to stay at his post until relieved, has been living in his office in the now-abandoned CONTROL headquarters tending his office plants), Agent 13, Hymie the Robot (now employed as a crash test dummy) and ultimately, his wife 99 (Barbara Feldon) to find the security leak that allowed the scientist to defect, locate the weather machine and disarm it. They are opposed by KAOS moles within the USIA, who are able to predict Max's every move with the aid of stolen copies of 99's unpublished memoirs. The visible head of the KAOS scheme is revealed to be Max's old nemesis, Siegfried, but he is merely the agent of a higher executive whom even he has never met. This higher power is finally revealed as Nicholas Demente (Harold Gould), 99's publisher, who intends not only to extort the money but also to create weather that will keep people eternally indoors and interfere with television reception, forcing millions to entertain themselves by buying Demente's books and publications.　　Comedic style　　The script is littered with typical Maxwell Smart verbal gags, and large portions of the plot serve only as set ups for Get Smart!-style sight gags (such as a duel between Max and a KAOS hitman using remote controlled file cabinet drawers). The film also features the array of bizarre gadgetry and political satire that were hallmarks of the original series. The cone of silence has been superseded by "Hover Cover" where a meeting is held on a rooftop with three helicopters hovering overhead. The failure of Hover Cover leads to the development of "The Hall Of Hush",a soundproof room where words print out silently in mid air, a success at first until the words begin to print forward, backward and on top of each other.　　Max changes the well known quote "Dr. Livingstone I Presume" to "Dr. Hottentot I Presume".　　1995 revival　　The relative success of the film prompted the development of a short-lived 1995 weekly series on FOX, also titled Get Smart, with Don Adams and Barbara Feldon reprising their characters as their bumbling son, Zach (Andy Dick), becomes CONTROL's star agent.　　原班人马啊，好想看。TAT

　　鲍勃（比尔·默瑞 Bill Murray饰）对这个世界充满不安，他视之为精神疾病，找到权威的心理专家里奥（理查德·德莱福斯 Richard Dreyfuss饰）请求治疗。里奥度假在即，并准备着前往宣传他的新书，于是只交给鲍勃一本新书让他阅读。　　鲍勃对一切都如此没有把握，他疯狂地寻找里奥医生，想方设法来到里奥的度假地。这次打扰让里奥十分气恼。他美妙的假日时光，他的新书宣传计划，将随着这个病人的到来而发生彻底的改变。更令里奥招架不住的是，他屡屡大费周章支走这个麻烦病人，最终总让自己陷入更大的麻烦，而鲍勃却每每获得众人的支持和喜爱。鲍勃的病一天天好起来，而里奥的霉运远远没有结束。

　　“破浪而出"的丹麦导演拉尔斯．冯．特里厄扬名国际影坛的代表作，曾获坎城影展评审团大奖及高等技术委员会奖。　　男主角是德裔美藉青年凯斯勒，在第二次世界大战后回到从未涉足的祖国。他原是一个和平主义和理想主义者，希望以中立的态度来看待战后的欧洲人民。不料叔叔安排凯斯勒在一列火车上当列车长，使他有机会深入欧洲各地，聆听各种不同的声音，从而揭破了和平口号与人道主义的虚妄。而他爱上的铁路公司老板千金，更是一名纳粹主义的支持者，更使他陷入了两难之境。　　导演拍出一种令人目眩神迷的魔幻写实色彩，镜头运用大胆，使观众仿佛进入催眠状态之中，是一部个人艺术风格强烈之作。

　　因为诈骗罪，约翰尼（阿尔·帕西诺 Al Pacino 饰）面临着为期一年半的牢狱之灾，出狱之后，无处可去的约翰尼被餐馆老板尼克（赫克托·埃里仲杜 Hector Elizondo 饰）收留，成为了一名厨师。餐馆的女侍应生弗兰基（米歇尔·菲佛 Michelle Pfeiffer 饰）吸引了约翰尼的目光，很快，约翰尼就对弗兰基展开了热烈的攻势。　　一次美妙的约会之后，约翰尼和弗兰基共度了充满了激情的一夜，可是，第二天，弗兰基冷淡的态度无疑是一盆冷水浇在了还处于甜蜜和幸福之中的约翰尼的头上。原来，弗兰基在上一段感情之中饱受伤害，痛苦的她为了自保封闭了内心。但约翰尼并没有就此而放弃，他的温柔和耐心终于打动了弗兰基，两人终成眷属。

　　一次偶然中，海伦（海伦娜·伯翰·卡特 Helena Bonham Carter 饰）和玛格丽特（艾玛·汤普森 Emma Thompson 饰）两姐妹结识了威尔克斯一家人。在威尔克斯家所拥有的霍华德庄园中，玛格丽特和威尔克斯太太（瓦妮莎·雷德格瑞夫 Vanessa Red grave 饰）的感情最为要好，海伦却在和保罗（Joseph Bennett 饰）的一段短暂恋情结束后离开了威尔克斯家。　　威尔克斯太太死前将整个霍华德庄园留给了玛格丽特，亨利（安东尼·霍普金斯 Anthony Hopkins 饰）隐瞒了这一事实，转而向玛格丽特求婚。离开了霍华德庄园的海伦遇见了名叫巴斯特（Samuel West 饰）的男子，两人相处融洽。玛格丽特再度见到海伦之时，她震惊的发现，尚未成家的海伦已有身孕，这样的海伦遭到了威尔克斯家大儿子查尔斯（詹姆斯·维尔拜 James Wilby 饰）的厌恶和驱逐。

　　迈克尔·道格拉斯扮演的威廉·福斯特是一家军工场的工程师，被解雇后心情很压抑。因离婚，小女儿的生日没被邀请，恰好路上堵车，他弃车走进一家杂货铺，想找点零钱打电话，却遭到刁难，他操起垒球棒砸了铺子。在公园休息时，又和流氓打了一架；在快餐店里因和服务生发生争执，他拔出从流氓那里缴获的手枪一阵乱射，此时他已完全失控。最后，他面对退休警官的枪口，不禁自问：“我是坏人吗？”

　　作为初出茅庐的律师新手，米奇（汤姆·克鲁斯 Tom Cruise 饰）幸运的得到了一家知名律师事务所的垂青，该事务所不仅在职位上十分看重米奇，更是在经济方面给予了米奇和其妻子艾比（珍妮·特里普里霍恩 Jeanne Tripplehorn 饰）极大的帮助。　　个性耿直善良又极富正义感的米奇在高兴之余决定在律师行业里大展拳脚，但随着时间的推移，米奇发现，这个事务所所经营的案件并非表面上所看到的那么简单，除了离奇死亡的律师外，事务所更是和黑道有着千丝万缕的非法关联。年轻的米奇站在了人生的十字路口上，是顺从于事务所的安排与其同流合污，还是勇敢的站出来，冒着死亡的风险协助警察调查事务所的底细？米奇心中已经有了答案。

　　卢卡申（安德列·米亚科夫 Andrey Myagkov 饰）是一名成功的外科医生，一次不合时宜的醉酒让本来要飞往莫斯科的他乘错了飞机，来到了列宁格勒。巧的是，在这里竟然存在着一条和卢卡申本来要去的地址完全相同的地点，在迷迷糊糊之中，卢卡申倒在了床上呼呼大睡。　　面对躺在自己床上的“白雪公主”，房子的主人嘉娜（芭芭拉·布雷尔斯卡 Barbara Brylska 饰）深感震惊，朦朦胧胧醒来的卢卡申也不知道究竟发生了什么。好在两人之间的误会很快就消解了，但他们双方的伴侣却都因为这场误会而离开了他们。面临着同样悲惨的境遇，在两个孤独的人之间，爱情的火花被慢慢点燃。

　　Based on the bestselling book. From the director and the producer of "Colonia" and "John Rabe".

　　第二次世界大战前夕，意大利在德国纳粹的影响下，国内掀起了一股敌视犹太人的政治气氛。在非非拉的费尼兹.康提尼的犹太家族也受波及，为了躲避外面的政治风波，家族成员，特别是家族中两个年轻孩子米科与埃伯特整天躲在破败的庄园中，他们无忧无虑的生活已不复存在，唯有空幻的祈祷上苍，法西斯的悲剧不要降临到他们身上，但厄运最终还是袭来……

　　莱昂（安东尼·拉帕格利亚 Anthony LaPaglia 饰）人到中年，和妻子索尼娅（凯瑞·阿姆斯特朗 Kerry Armstrong 饰）之间的关系早已经十分疏远，名存实亡。家庭之外，莱昂有着一位交往甚密的情人简（蕾切尔·布雷克 Rachael Blake 饰），在简那里，莱昂能够短暂的找回自信和激情。　　索尼娅察觉到了丈夫的异样，但是她选择将一切的愤怒和痛苦隐藏在心底。心理治疗师瓦莱丽（芭芭拉·赫希 Barbara Hershey 饰）是索尼娅的树洞，常常开导和安危她，可是，瓦莱丽也必须面对自己内心里的黑洞——她的女儿成为了一场谋杀案中的受害者，她至今无法从失去女儿的悲痛之中走出来。某日，瓦莱丽突然失踪了，莱昂对她的下落展开了调查。

　　《命运的十三个交叉口》命题是关于"生活"，更精确来说是烂透了的生活，藉由多位毫不相关的角色，他们的无心之过却对另一个生命造成严重冲击。毫无疑问人一生中都在追求幸福快乐的生活，然而现实总是背道而驰，看了这部电影我们明白理想遥不可及，即使达到也是一时的绚烂而已，唯有坚守信念、乐观面对才是长治久安之道。　　影片之初，一个老人告诫一意气风发的律师好运是不可能持久的，指出一名中了两百万乐透彩的员工当下辞职不乾，结果亲朋好友人人觊觎这意外之财，发财后的生活反而不好过，过不了多久又回公司上班了。这名律师不以为意，他认为今日成就全是自己辛苦打拼的结果，绝非运气，结果当天晚上他因为酒醉驾车肇事，果然乐极生悲。更由于身为律师之故，对于法律责任心知肚明，让他更无法接受事实而近乎情绪崩溃。　　一名高中物理老师，对于自己即将迈入一成不变的生活感到害怕，他出外寻找刺激却仍然无法填补空虚，发现到头来不过是另一种形式的例行公事，终于对人生感到心灰意冷，移情作用下，他也当面刺破学生对未来的憧憬：「你为何想当医生？帮助病人延续痛苦？」而这名学生隔日便自杀了！　　一名愤世嫉俗的保险公司主管，官作的越大心眼也越小，总爱找一个笑口常开的职员麻烦，然而他的所作所为只是更加突显两人根本上的差异，一者钻牛角尖；一者有容乃大、无入而不自得。　　《命运的十三个交叉口》充满了如上的人生插曲，让观众重新审查自己的生活态度，影片中所有命运注定、机缘巧合的安排，让人人在无意识的状况下擦身而过却深受影响，无非是为了呈现出人生的不确定性，我们难以掌控意外发生，可以改变的是自己的心态，例如一句话虽能击毁一个人的自信；一个微笑也却足以化解忧郁，快乐希望的源头其实都出自我们的内心。　　结局是本片的神来之笔，不仅利用多线式电影惯用的人物交会，同时也蕴含了时间上的交会，之前所看到半独立的十三段故事，并非完全按照时间顺序排列，直到结局我们明白了事情的来龙去脉，当他们还在对捉摸不定的未来顾影自怜时，观众则早已看清了命运之手的狡猾，也明白了即使遭遇不顺遂仍该坦然面对的最高境界。「命运的十三个交叉口」或许是人生茫茫大路上的一面借镜，令人反覆吟咏仍觉有味。

　　贝罗奇奥是意大利国宝级导演之一，他不但深受威尼斯的追捧，同时也受到戛纳的厚爱。他曾五次入围威尼斯电影节主竞赛，并获得终身成就奖；同时，他又曾入围过六次戛纳主竞赛单元。去年，导演极其私人化的影片《吾血之血》在威尼斯收获无数好评。今年这部片，将围绕一个隐藏在信封内长达四十年的秘密所展开。本片为今年导演双周开幕片。

　　An erotic body-swapping horror where a psychiatrist becomes obsessed with one of her young clients with multiple personalities.

　　1858年，在博洛尼亚的犹太区，教皇的士兵闯入了莫塔拉家，按照枢机主教的命令，他们要抢走莫塔拉家的七岁儿子埃德加罗。这个孩子在婴儿时期被保姆秘密洗礼，教皇法律是不容置疑的：他必须接受天主教教育。莫塔拉的父母心痛万分，他们将不惜一切代价取回自己的儿子。在国际犹太社区和舆论 的支持下，莫塔拉家的斗争很快就带上了政治色彩。但是，教会和教皇不会同意归还这个孩子，因为这有助于巩固越来越动摇的权力……