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美人鱼第二季
418剧情介绍:《美人鱼》是06年在澳大利亚开播的一部青春奇幻剧,超过120个国家引进播放。故事讲述三个平凡的女孩无意间闯入一个古老的洞穴然后身体发生了奇异的变化变成了三条美人鱼,三个女孩意外得到魔力,碰到水会变成美人鱼,而且从此有了控制水的能力,一个能使水成形和移动(第二季还拥有控制风的能力),一个能让水结冰(第二季能使冰爆炸),一个能让水沸腾蒸发(第二季能使物体起火)。然而她们因为怕被送去海洋馆或者变成科学研究的实验品,要千方百计隐藏自己的秘密,同时还要找出自己为什么会变身的原因,这个过程有一些死党男生的帮助,不时会笑料百出,非常值得一看哦! -
乔娜莎·图米的圣诞奇迹
952When a broken hearted boy loses the treasured wooden nativity set that links him to his dead father, his worried mother persuades a lonely ill-tempered woodcarver to create a replacement, and to allow her son to watch him work on it. The commission takes their relationship to unexpected places as the young client makes greater and more difficult demands of the woodcarver's ability, and as Christmas approaches, the three struggle to come to terms with each other, their painful memories and the process of putting their unhappiness behind them. Written by Anonymous -
恩赐之地第二季
489「恩赐之地」,或者称「雅园」(Graceland),是猫王所住公寓的别称。在本剧中,它指的是一个特别的地方——在这里,很多东西都真假难辨,而且每个人都有自己的秘密。从外表上看,这栋充满田园诗意的海滨小楼住着一群性格各异的普通年轻人,然而走进它的大门你才会发现里面别有洞天 。 「雅园」实际上是美国多个执法部门共同设立的一处秘密基地。在这里,来自联邦调查局(Federal Bureau of Investigations)、缉毒署(Drug Enforcement Agency)和海关移民执法局(US Customs)的精英探员们协调开展联合执法行动。他们生活在同一个屋檐下,对外宣称自己是「普通的一家人」——然而他们的生活从来就不「普通」。从他们当初答应加入这项卧底任务时起,他们就已经将生死置之度外。「雅园」是警方从一名毒枭手中没收的财产,他当初给它起这个名字完全是因为他酷爱猫王。可是对那些需要掩饰自己真实身份的年轻探员来说,这里不是他们风花雪月的地方,这里仅仅是他们的「避风港」 -
摩亚男孩第一季
401Sean (O'Dowd) is the imaginary friend of 10-year-old Martin Moone, the youngest child of a family living in a small town in Ireland. Martin has a unique perspective on life aided by an imaginary friend. His imagination comes into play both in his childish drawings, which come alive through animation, and in the ridiculous schemes he comes up with, against Sean's better judgement. With Sean's help, Martin negotiates life as the youngest in a chaotic, scatter-brained family. -
荒野救援
667Clare Balding and Steve Leonard join teams of pioneering vets around the world who are using the most cutting-edge techniques, often adapted from human medicine, to save the lives of animals. -
倒计时
434The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R. [email protected] -
墨尔本风云第二季
820《墨尔本风云:双城谍战》是澳大利亚的一部十三集迷你剧,本剧讲述了1976至1987年间在格里菲斯的新南威尔士镇发生的毒品交易的真实事件。剧集着重刻画了毒品交易事件中的几个主要人物,包括RobertTrimbole,TerryClark,GeorgeFreeman和政客DonaldMackay.本剧是2008年剧集《墨尔本风云》(讲述墨尔本黑帮打打杀杀)的前传。尽情投身到墨尔本黑帮的腥风血雨中去吧,黑帮的斗争在过去十年中横行墨尔本。这部黄金时段的剧集取材于真实的事件,并且全部由澳大利亚一线明星阵容出演。《墨尔本风云》采用了《两个黑帮的恶战》《更高层面上的黑帮道德战》和《Purana特遣队》等剧的...... -
原始生活40天第二季
449跟第一季一样,还是从Naked and Afraid《原始生活21天》好几季里选了12个选手继续扩大求生天数到40天。 -
异星绑架
795坐落于美国北卡罗来纳州的布朗山,从20世纪中叶起便接连有当地居民目击不明飞行物以及人类遭到绑架的报告。外星人还是政府军事机密?扑朔迷离,众说纷纭。直到某天,患有自闭症的少年莱利·莫瑞斯(Riley Polanski 饰)无意间用他的摄相机记录下来可怕的一切。在一个平凡假日,莱利随着父亲彼得(Peter Holden 饰)、母亲凯蒂(Katherine Sigismund 饰)、哥哥柯瑞(Corey Eid 饰)以及姐姐吉莉安(Jillian Clare 饰)驱车前往布朗山露营。 第一个晚上,他们目击到夜空中飞舞的神秘光点,第二天则在途中迷路,更在隧道里见到了空无一人的车辆以及从未见过的可怕生物。混乱中皮特被对方绑架,莫瑞斯家的其他成员则夺路而逃,未卜前途……