An couple's seven-year relationship is put to the test when they are tempted to indulge their deepest sexual curiosities.

一位妻子尝试以性探索挽救他们的婚姻生活，但当她的计划适得其反时，她设计了一个邪恶的计划......

Peter (Sean de Guzman) was a videographer for weddings and events. However, on his free time (which is a lot lately), he hung out in a remote picturesque lakeside camping area where couples came to do their coupling in open air. Peter would stalk these couples and sneakily take videos of their lovemaking while getting himself off. He would then post these sex videos on an onlin...

Take a peek at the life of an unhappy housewife who finds passionate love from her neighbor and how their affair brings them closer to fire.

　　A nurse who suffers from lack of intimacy with her husband is assigned to work at an island called Isla Bato, where men treat women with lust. As she experiences the people's madness, she plans a way to get out of the island.

　　When a dare pushes two couples into an orgy, suppressed feelings rekindle between the two ladies, who were once bestfriends and lovers.

　　A rich man leaves all his wealth to his most loved Ex-girlfriend. But at his wake, five exes pay their respects by sharing their wild and naughty moments. Who among them will be his heir?

　　与Stefan Uher和Elo Havatta一样，Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》（1964）《尼绒月亮》（1965）和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。　　A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called "intellectual" film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak: Muz, ktory luze; French title: L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).

该剧故事继续围绕在丧尸横行的世界中的幸存者们展开，聚焦丧尸末世后成长起来的第一代。

一名保安被他称为 F 女士的性感房客迷住了。他的性幻想将他带到了一个极端，这将永远改变他和他妻子的生活。

年轻的休伯特在城堡之中集结的一小只队伍,为报杀害其领袖之子之仇而卧薪藏胆.而领袖之子就是那位名叫盖的雇佣兵,他的内心灵魂被他在罗切斯特城堡之战犯下的杀戮内疚而淹没,与此同时埋没他灵魂的还有他对凯特迅速萌芽的感觉,而其堂兄是一位久经沙场的士兵,不为上帝和国家而战,为的却是金钱和杀戮的欲望...

一个有钱人把他所有的财富都留给了他最爱的前任。但在他醒来后，五个前任通过分享他们狂野和顽皮的时刻来表达他们的敬意。他们当中谁会是他的继承人？

一名保安被他称为 F 女士的性感房客迷住了。他的性幻想将他带到了一个极端，这将永远改变他和他妻子的生活。

　　An in-depth look at the prison system in the United States and how it reveals the nation's history of racial inequality.

　　Take a peek at the life of an unhappy housewife who finds passionate love from her neighbor and how their affair brings them closer to fire.